Quote:
Originally Posted by LaTo
You can do that in an avisynth script with lut/mask/merge, but for general purpose I don't see the point to remove small corrections and leave big corrections untouched.
A sort of color vibrance's effect but on luminance?
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maybe I did not explain well,
I mean correction by frame, not by pixel.
I notice you have added some limits, in a similar way, when gain of contrast is huge, or small, for some stuff, like night scenes or dark/light scenes (ie a corrected night scene maybe will look like a day scene), may don't require a heavy correction, so in other stuff can be preferable don't touch so much good scenes.