Quote:
Originally Posted by FranceBB
Whoa, that's gonna make a huge file. It's gonna be impossible to send it over, even using Aspera.
I see...
Well, the thing is that 4:2:2 is definitely gonna be fine for the H.264 yv12 8bit bluray encode and for the MPEG-2 XDCAM yv16 8bit encode, however I would really like not to upscale the chroma for the DCP encode which is gonna be MJPEG2000 4:4:4 12bit. If it's really gonna be an issue when I try to index it with, let's say, FFMpegSource2 or LWLibavVideoSource in Avisynth because of the fact that some blocks were encoded in YUV and some others in RGB, then perhaps I'll ask them to send over a 4:2:2 version and then I'm sadly gonna upscale the chroma for the DCP version. I gotta say that I wasn't aware of the "hybrid" RGB/YUV approach used by the adaptive color transform. It's a shame that it's not decoded properly, though.
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If you want this as source for BD then DNxHR HQX or Cinefrom YUV (best setting) are way good enough and can be reliably exported from Resolve on PC (and later processed).