Quote:
Originally Posted by WorBry
Shame there's no option to tweak the colors further.
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Examining the histogram, there's clearly been some reconstruction of the red channel, but there's scope there to push the balance a bit warmer - here doing so using just the 'Color Temperature/Tint' controls in Resolve, and a tad reduced saturation:
I'm still not sure what color the anemone is supposed to be.
Note also that a Dive+ logo gets put on the image. Still it's not bad for a freebie......assuming the 'video color correction' component produces comparable results.
Whether something similar could be implemented in AVISynth (by way of a scripted function/plugin) is beyond me. From what I've learned through this exercise, I have a sense that would require two parts - one (at it's core) a channel mixer (whether automated or not) to reconstruct the red channel as best (maybe guided by water depth absorption bias data) and then provision to adjust the color temperature. Feasible ? Only the AVISynth wizards here could say.