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Old 7th January 2010, 18:48   #21  |  Link
WorBry
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Why not shoot 30p (or more correctly, 30PsF) if these 24p pull-down interlace artifacts are so problematic?

BTW - I see that Canon state that their new HFS series AVCHD camcorders (HFS21, HFS200) will (set for release April 2010) offer 'native 24p' recording, in addition to the '60i-wrapped' 24p (Cinema) mode. About time too. I wonder if its still PsF though.

http://www.usa.canon.com/consumer/co...elTechSpecsAct
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Last edited by WorBry; 7th January 2010 at 19:23.
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Old 7th January 2010, 22:07   #22  |  Link
Efenstor
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Well, true cinematic look worths it. Also, while in 24 fps moderately fast pans look "stuttery", in 30 fps they are already too "jittery", and I personally have problems following them. I tried 30p and don't like it much, 24p is still the best to me, and 60i comes second.

Last edited by Efenstor; 7th January 2010 at 22:10.
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Old 8th January 2010, 01:08   #23  |  Link
shoopdabloop
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what kind of 24p camera taints the footage like that during interlacing?
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Old 8th January 2010, 21:31   #24  |  Link
um3k
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One that encodes with hard pulldown and a not-very-well-implemented codec. I've seen it occasionally on my HV20 HDV camera, as well.
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