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2nd February 2012, 09:25 | #11961 | Link |
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From what I read it was created to get rid of jerky playback due to mismatched sync (read on video help)Whatever the case may be what the original purpouse was , it was only a mention . What I am saying is , don't use it if you don't have to .
Playing movie rate media that's been sped up to 25 fps is of course a good reason to use it. Don't go slowing down your torchwood , sherlock and dr who episodes guys... :3 |
2nd February 2012, 10:32 | #11962 | Link |
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There's little reason to not use it if you're not bitstreaming and are using an HDMI connection or analog like many (most?) of us here. Even if you're using SPDIF, you can decode the lossless track and reencode to DD on the fly with ReClock with virtually no loss of quality compared to what you'd be getting by bitstreaming the SPDIF-compatible original stream to begin with.
Custom resolutions are not ideal if ReClock can fix the problem easily. For example, you have to create one for 23.976 and one for 24 and switch between them. I'm not sure if that's possible with NV anyway. Intel has famously not been able to do 23.976 for years, at least not with some workarounds that people shouldn't require to do, and still it's not guaranteed to be exact.
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2nd February 2012, 10:34 | #11963 | Link | |||
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I still haven't been able to get presentation glitch-free playback since the last WHQL drivers, but they're over three months old at this point, and missing performance improvements/fixes for games that I own. Quote:
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Perhaps you are able to achieve perfect playback over the course of a 140+ minute film, but I find ReClock to be necessary for that, and would be using it regardless, as I have a number of 50Hz DVDs which have no Blu-ray release yet. As previously mentioned, I also have a number of films which are 24Hz on the disc. If you are using optical, surely you would be decoding the HD audio track, reclocking it and then encoding it for output? I can't imagine this being any more lossy than bitstreaming the DD5.1/DTS track off the disc. (it seems like this could potentially improve quality?) Last edited by 6233638; 2nd February 2012 at 11:28. |
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2nd February 2012, 11:25 | #11964 | Link |
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590:
http://i.imgur.com/7crRa.png http://i.imgur.com/MIdSS.png I have the same setup with an old 8800 ultra. In most cases precise custom frequencies are only problematic for the displays , all nvidia cards I've had have been able to handle them quite well. Last edited by phoenixxl; 2nd February 2012 at 12:44. |
2nd February 2012, 11:56 | #11965 | Link | ||
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2nd February 2012, 13:19 | #11966 | Link | |
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2nd February 2012, 13:36 | #11967 | Link |
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Quality isn't only defined by the bitrate used, but also by how good the encoder is you use. If ReClocks AC3 encoder is any good is another question entirely, however.
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LAV Filters - open source ffmpeg based media splitter and decoders |
2nd February 2012, 14:37 | #11968 | Link |
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Audio would be worse in most cases . Enabling the ReClock filter prevents you from using passthrough on your spdif output , and forces you to re-encode audio.
Ac3 640 is what's supported for on the fly output from ffdshow or ac3 filter. Ignoring master audio or true hd , and seeing ac3 640 as acceptable , I just don't like the fact , even from an ac3 source , my audio gets re-encoded. The hq audio modes will always be better unmodified though, converting them to ac3 640 will cripple them. If I would have had a decoder that only supported ac3 and dts , and a disc had LPCM 27 mbit audio and a DTS track (probably rare) , modifying and encoding the LPCM track could give a better result than plainly playing the DTS track* (if you are one of those people that believes Dolby Digital is better than DTS). All of which is somewhat far fetched. *In which case one could disable passthrough and play the LPCM track with AC3 output at whatever freq my monitor is at -> "ReClock will never make your audio better." Last edited by phoenixxl; 2nd February 2012 at 14:54. |
2nd February 2012, 15:12 | #11969 | Link |
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Is there any reason I should use Fullscreen Exclusive mode with my Desktop?
And is there "best" settings to MPC-HC? I've been using the libavs that come with madvr to decode 10bit files, no problems whatsoever, and haven't had any problems with the windowed mode either, I guess it is normal to get few dropped frames when you go from window -> fullscreen (in windowed mode) and when you Jump Forward / Backward ? Thanks. |
2nd February 2012, 16:43 | #11971 | Link | |
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(sorry for OT madshi, I can't just ignore nev's posts). |
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2nd February 2012, 17:34 | #11972 | Link | |
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Kind Regards |
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2nd February 2012, 19:19 | #11973 | Link | |
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You're wasting everyone's time not discussing about mVR here...madshi has better things to do. Proper audio playback is just as complicated as video, this is not a "free for all A/V discussion thread", it's the mVR thread.
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some ppl cannot tell the diff between Overlay and mVR, some between a realtek onboard and a $3K external DAC...why worry? you're very lucky, more than anything else. The most OCD'ed amongst us cannot bear watching a movie w/o perfect gamut mapping, their standards are just higher than yours...it doesn't make them any more happy than you to watch a movie, their OCD can actually be utterly frustrating when they don't get what they want ^^ |
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3rd February 2012, 01:11 | #11974 | Link |
Suptitle, MediaPlayer.NET
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I've recently switched to madVR+LAV CUVID from EVR CP+Microsoft DTV-DVD Decoder.
What I've noticed is deinterlacing is no longer working with madVR+LAV CUVID. But I've checked to make sure the deinterlacing checkbox is ticked in the madVR config (which is already on by default). Use ITVC in nVidia control panel's deinterlacing box has also been checked. With LAV CUVID, I've tried setting all the deinterlace settings as well from weave to bob to adaptive. Nothing worked. Switching between deinterlacing modes video/film (CTRL+SHIFT+ALT+T) didn't change anything for me. The video stream has its interlaced flag set, so it's not the media's fault: Code:
General ID : 1283 (0x503) Complete name : test.ts Format : MPEG-TS File size : 3.47 GiB Duration : 1h 31mn Overall bit rate mode : Variable Overall bit rate : 5 447 Kbps Video ID : 769 (0x301) Menu ID : 1328 (0x530) Format : MPEG Video Format version : Version 2 Format profile : Main@Main Format settings, BVOP : Yes Format settings, Matrix : Custom Format settings, GOP : M=3, N=18 Codec ID : 2 Duration : 1h 31mn Bit rate mode : Variable Bit rate : 4 920 Kbps Maximum bit rate : 15.0 Mbps Width : 720 pixels Height : 576 pixels Display aspect ratio : 16:9 Frame rate : 25.000 fps Standard : PAL Color space : YUV Chroma subsampling : 4:2:0 Bit depth : 8 bits Scan type : Interlaced Scan order : Top Field First Compression mode : Lossy Bits/(Pixel*Frame) : 0.474 Stream size : 3.13 GiB (90%) |
3rd February 2012, 01:21 | #11975 | Link | |
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Back to v258.96 for me. |
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3rd February 2012, 01:38 | #11976 | Link | |
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In any case, custom resolutions can cause more trouble than ReClock, and ReClock is easier to do. Reencoding a lossless source into AC3 is not the same as reencoding a lossy "core" stream. Lossless->lossy reencode is more equivalent as playing the original lossy core.
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3rd February 2012, 01:57 | #11977 | Link |
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I believe I have found a bug.
Switching to the "old path" exclusive mode(as in, not only disabling present several frames in advance, but actually setting the media player to full screen mode) limits the number of backbuffers to 3, in both windowed and exclusive mode. |
3rd February 2012, 10:20 | #11979 | Link |
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I noticed this also on Win7 when I recently switched to FSE old path by just disabling present several frames in advance with MPC-HC. The backbuffer queue always stays at 3 in fullscreen or exclusive modes even though I have both backbuffers set to 6. (maybe it's a limitation of FSE old path)
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MPC-HC/MPC-BE, Lav Filters, MadVR CPU: AMD Ryzen 5 1600, Video: AMD Radeon RX Vega 56 -> TCL S405 55", Audio: Audio-Technica M50S |
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direct compute, dithering, error diffusion, madvr, ngu, nnedi3, quality, renderer, scaling, uhd upscaling, upsampling |
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