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19th June 2014, 12:57 | #981 | Link |
zj262144
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I see, thank for replys
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19th June 2014, 15:08 | #982 | Link |
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Noticed that too. Maybe the optimized assembler code, that exists for many of the "critical" functions, is currently for 8-Bit only and thus won't be included in HIGH_BIT_DEPTH builds.
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19th June 2014, 20:45 | #983 | Link |
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Hi folks,
First of all thanks to MCW for the works they are doing, and to you all for this great post. It's pretty amazing to see how fast x265 development is evolving. I thought the following personal tests could be of interest for the community. x265 is 32 bits 8bpp 1.1+88 Source : One minute excerpt from Lionsgate's Bluray 'BrainDead' (1992). It has grain, leaves, hair, skin, and even at 18 Mbps it has been starved. x264 medium no-psy CRF23 vs x265 medium CRF 21.26 Here x265 has achieved the milestone of being better than x264 with default presets (psy-rd excluded, until it has been finalised). Above CRF23 there are lower resolutions where x264 would look better on a FHD screen, so there is little point in compressing x264 above CRF23. What I don't understand is both have same keyint min/max and scenecut, but x264 has 20 I-frames whereas x265 has 13? How can I make sure both encodes have the same number of I-frames? x265 1080p medium CRF 28 vs x265 896p medium CRF 25.96 The CRF 28 shows a great amount of artifacts, ringing and blocking. The reduced 896p resolution looks slightly better than the 1080p on a full HD screen. So it makes me wonder whether the default RF 28 is not too high? EDIT : downscale with Repair(BicubicResize(clip,h,v),GaussResize(clip,h,v,p=100),mode=1) Last edited by a5180007; 19th June 2014 at 21:07. Reason: Precision fo downscaling |
19th June 2014, 21:38 | #984 | Link | |
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Screenshot comparison
Files Full source: elephants_dream 720p from xiph Settings Code:
x264-10bit --level 5.1 --preset veryslow --crf 15.0 --output "720 x264.mkv" "720.avs" Code:
avs4x265.exe 720.avs --crf 20.12 --recon-depth 10 --preset veryslow -o "720 x265.hevc" Quote:
edit2: Just realized I forgot to set preset veryslow for x265, will update in a few min. - fixed Last edited by anonymlol; 19th June 2014 at 21:57. |
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19th June 2014, 22:19 | #985 | Link | |
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As we've discussed here many times, screen shots (still images) have very limited use for codec comparisons. Video is moving pictures, and what looks good in a still frame doesn't always look good as a sequence of moving pictures, and vice versa. |
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19th June 2014, 22:30 | #986 | Link | |
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19th June 2014, 22:55 | #988 | Link |
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No not the same frame. Anyway make comparison at crf 15 with x264 is pretty useless. It's something like BluRay level quality. At this bitrate (with this really compressible source) even MPEG2 will certainely produce excellent result.
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19th June 2014, 23:02 | #989 | Link |
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There is actually two frames in there. You can switch betweem them by clicking #1 and #2, while you alternate between the x264 and x265 encodes via hovering over the image (or not hovering, as it may be)
Should probably not combine two samples into one comparison, it confuses people. =)
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19th June 2014, 23:09 | #990 | Link |
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nevcairiel, thank you.
I thought it's pretty obvious how the site works. #1 and #2 are different frames because they are different comparisons (still and motion). #1 and #2 have both 2 images each, you toggle between them by moving your mouse over/off the image. x264 on mouse out, x265 on mouse over the image. Simple, right? It's not useless. I'm going for quality and trying to reach the same quality with x265 while keeping the filesize the same. Unfortunately, x265 still doesn't look as good at the same filesize for high bitrate encodes (but I'm sure it will in the future). Last edited by anonymlol; 19th June 2014 at 23:16. |
19th June 2014, 23:56 | #991 | Link | ||
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20th June 2014, 07:05 | #992 | Link |
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So the best this comparison tells is: There is so little difference that the toggling was often not noticed while hovering with the mouse, therefore the misunderstanding of the feature.
Unfortunately, as usual, single screenshots explain hardly how annoying loss is perceived while watching the movie. And it was rather little loss, mosytly in not too relevant parts. |
20th June 2014, 08:47 | #993 | Link |
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Hi Tom, I sure will do when you say psy-rd is ready for testing. But the source is so grainy I'm not convinced psy-rd will bring any benefit at such compression. At least in x264 it does not : it removes a lot of details to put back grain noise. And before testing psy-rd, I wanted to make sure standard SAD rdo was as good as x264 in grain and detail retention.
Are the algorithms for placing I-frames so different in x264 and x265? Why would x265 put one third less I-frames with both scenecuts at 40%? This biases comparison. EDIT : and it makes single frame comparison with x264 even more pointless. EDIT 2 : Got it. x264 and x265 --bframes 3 --b-adapt 1 return the same amount of I-frames. Placement and numbers of P and B frames are still totally different though. Last edited by a5180007; 20th June 2014 at 11:45. Reason: precision |
20th June 2014, 10:02 | #994 | Link | |
zj262144
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seems there's no any en/decoder operate in high bit depth but input/output 8bit now...or in fact I missed?(or maybe CPU overhead is too high currently?) or that means future en/decoder(e.g. x265 in the future) could use high-bit-depth internal-only for 8bit video?
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20th June 2014, 11:57 | #995 | Link |
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Another comparison (still with 1.1+88 e69a427) : x265 medium 1080p CRF 26 vs x265 medium 896p CRF 23.92 (same size)
There is still a substantial amount of ringing in the 1080p. The upscaled 896p, although slightly softer, does look better than the 1080p, which suggests that even CRF 26 is too high as the default CRF -at least for this source. Some frame compares source/1080p/896p to gain time (these are animated PNG, so leave time for the three frames to download -or download the file and open with e.g. Firefox) : Frame 82 Frame 485 EDIT : 896p upscaled with Lanczos2 Last edited by a5180007; 20th June 2014 at 12:24. |
20th June 2014, 17:49 | #997 | Link | |
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I think the same thing was possible with H.264 High 10, and it would produce meaningfully improved quality compared to just High. |
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21st June 2014, 00:13 | #998 | Link | |
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What exactly are you doing that isn't working? |
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21st June 2014, 03:12 | #999 | Link |
zj262144
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@benwaggoner & @foxyshadis
well, to be specific 1) now at same medium bitrate(medium bitrate means, e.g. x264 crf22), x264-10bit act much better than x264-8bit in prevent banding(especially in dark flat area because of gamma compression) if Source has no banding -- of course benefit from high interal bit depth, also have positive to prevent other artifacts -- and now x264-10bit optimize is good enough even at [same encoding time & bitrate], it could still act better quality than x264-8bit 2) x265 8bpp now also use 8bit internal, I should use x265 16bpp for high bit internal -- x265 works like x264 in this regard 3) until now, H.264/AVC 10bit-depth has low compatibility. e.g. we could not use Hardware acceleration for 10bit video; mobile device/PS3 like hardware device(diff from PC could use x86-CPU for generic software decode and almost ignore decode performance and power consumption) playing 10bit video is much difficulty and unfriendly; seems video editing fields is the same(e.g. Adobe Premiere is not support for H.264 10bit video). I'm very worry about HEVC/H.265 age will be the same... 4) and...for [8bit input] and high-bit internal, if use 8bit output rather than 10bit output, should be smaller size at same quality?(I'm Not expert on this) ---- so, I'm interest in 8bit in/output and high-bit internal, especially in encoding seek for lowest bitrate for same high quality is eternal topic for video compression, and I am, but I also care about a degree of compatibility (and encoding time)...
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MPC-HC 1.7.8 / LAV Filters 0.64+ (tMod) / XySubFilter 3.1.0.705 / madVR 0.87.14 Direct264 Mod (src & win32 builds): code.google.com/p/direct264umod (maybe outdated) Last edited by upyzl; 21st June 2014 at 04:26. |
21st June 2014, 03:31 | #1000 | Link | |
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