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24th July 2018, 17:01 | #11 | Link | |
Broadcast Encoder
Join Date: Nov 2013
Location: Royal Borough of Kensington & Chelsea, UK
Posts: 2,883
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Quote:
I'd also add 2.5: 2.5. Interpolate something, blend something else. You'll get smoothness on objects that aren't artifact detected and blending on objects that are. Still, no artifact, but a slightly better smoothness. I very rarely rely on MVTools in Broadcast and I use it on very rare circumstances like slow-motions. The reason why I use it is that it achieves better results than the built-in linear interpolation filter in AVID Media Composer (hats off to the open source community ). Anyway, whenever we shoot something ourselves, we try to shoot at 50fps progressive in order to just use assumeTFF() separatefields() selectevery(4,0,3) weave() When we have to make a slow-motion, we record at 200fps progressive so we can slow it down in post production and get it smooth. Sometimes, the producer wants to make a slow-motion of a scene later on, on a second thought, when we are in studio and we already recorded the scene at 50fps progressive; in that case I use MVTools. |
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Tags |
frame rate, framerateconverter, interpolation, smoothness, svp |
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