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#11 | Link | |
Broadcast Encoder
Join Date: Nov 2013
Location: Germany
Posts: 1,279
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Quote:
I'd also add 2.5: 2.5. Interpolate something, blend something else. You'll get smoothness on objects that aren't artifact detected and blending on objects that are. Still, no artifact, but a slightly better smoothness. I very rarely rely on MVTools in Broadcast and I use it on very rare circumstances like slow-motions. The reason why I use it is that it achieves better results than the built-in linear interpolation filter in AVID Media Composer (hats off to the open source community ![]() Anyway, whenever we shoot something ourselves, we try to shoot at 50fps progressive in order to just use assumeTFF() separatefields() selectevery(4,0,3) weave() When we have to make a slow-motion, we record at 200fps progressive so we can slow it down in post production and get it smooth. Sometimes, the producer wants to make a slow-motion of a scene later on, on a second thought, when we are in studio and we already recorded the scene at 50fps progressive; in that case I use MVTools.
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Broadcast Encoder Avisynth memes Videotek - Audacity XP LUT Collection - FFAStrans SafeColorLimiter - AAA |
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Tags |
frame rate, framerateconverter, interpolation, smoothness, svp |
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