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17th November 2019, 12:52 | #21 | Link |
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Is not so simple:
"... joint intensity coding and sum/difference coding may be employed to further improve audio quality. The optional LFE channel is compressed by: low-pass filtering, decimation and mid-tread scalar quantization." The LFE channel without high frequencies need only a low bitrate to be encoded. And some channels can be joined to optimize compression, and front channels can have preference for high fequencies over back channels...
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17th November 2019, 14:49 | #22 | Link | |
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Quote:
But if one wants to simplify anyway [but not too much], one can say that 1509 kbps for 5.1 DTS is (roughly) equivalent to 300 kbps per channel (the ".1" channel not being counted, of course). Which is overkill, granted. DTS-CD uses 1234.8 kbps @ 44.1 kHz, which is the same as 1344 kbps @ 48 kHz... Fortunately the BD-specs do allow lower bitrates for 5.1 DTS audio. Unfortunately the average BD production is lazy and stupid |
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18th November 2019, 10:35 | #23 | Link | |
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18th November 2019, 11:38 | #24 | Link |
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The channel order inside a compressed stream can have a different order in dts, ac3, aac, etc.
Any decoder output always (remapping) the standard wav (M$) file channel order, any encoder must accept the standard wav order like input. All is automatic, you don't need do nothing.
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19th November 2019, 06:46 | #25 | Link | |
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19th November 2019, 09:55 | #26 | Link |
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You always get a AC3 file duration multiple of 32 ms (if 48 KHz) because a AC3 stream is a set of frames of that length.
The encoders delay the wav file with 256 silence samples (5.33 ms at 48 KHz) and fill the las frame with silence samples until the 32 ms full frame.
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