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2nd February 2022, 07:11 | #61 | Link | ||
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I guess most H.264 HD channels will do tone-mapped content (from HDR) and call it a day. Which means the handling of tone-mapped content will be a big differentiator for consumer HDR TVs for the years to come, much like the quality of upscaling and denoising of mpeg2 SD channels was a big differentiator for early consumer HD TVs (and still is in some countries like the UK, which has 12 HD channels and several dozen Mpeg2 SD ones, all of them at crappy bitrates). Quote:
A terrestrial DVB-T2 mux can fit a grand total of 3 UHD channels. Indeed, any countries doing UHD trials are broadcasting just 2-3 UHD channels on one mux, and I doubt they will manage to free up more than one mux due to the 4G and 5G spectrum releases (and terminating H.264 is out of the question considering some countries are still facing resistance when trying to terminate mpeg2). So, I disagree, UHD bitrate requirements are very much a problem. The terrestrial broadcasting world should have waited for VVC so they can at least get 6 UHD channels per mux. If you though HD was a failure on terrestrial, wait and see how UHD will do. Last edited by kurkosdr; 2nd February 2022 at 07:42. |
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2nd February 2022, 09:18 | #63 | Link | ||||
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I mean "no" to a certain extent. As long as a broadcaster is also a producer, anything can be done (for instance for sports contents, tonemapping HLG to BT709 SDR can be done on the fly without any issues), but try to do that on a movie and it's gonna be a digital rights madness 'cause some Hollywood companies DO NOT want you to tonemap on the fly. For instance, when they send us HDR PQ stuff and we convert them to HLG according to the maxCll info they provide, they always want to test our conversion methods via agreed test patters etc, but most of them will never sign an agreement for on-the-fly HDR PQ or HDR HLG to BT709 SDR tonemapping. (It would be cool, but it ain't gonna happen 'till the Hollywood guys will change their minds ) Quote:
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OMG I sound like a salesman now xD Quote:
About terrestrial, I gotta be fair: I have no clue as I've never been interested... Last edited by FranceBB; 2nd February 2022 at 09:22. |
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2nd February 2022, 09:38 | #64 | Link | ||
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format code extension resolution note 91 mp4 256x144 269k , avc1.4d400c, 30.0fps, mp4a.40.5 92 mp4 426x240 507k , avc1.4d4015, 30.0fps, mp4a.40.5 93 mp4 640x360 962k , avc1.4d401e, 30.0fps, mp4a.40.2 94 mp4 854x480 1282k , avc1.4d401f, 30.0fps, mp4a.40.2 300 mp4 1280x720 2922k , avc1.4d4020, 60.0fps, mp4a.40.2 301 mp4 1920x1080 5552k , avc1.4d402a, 60.0fps, mp4a.40.2 (best) Quote:
https://techcommunity.microsoft.com/...es/m-p/2077247 https://answers.microsoft.com/en-us/...4-58ec09133984 https://techcommunity.microsoft.com/...ng/m-p/1959752 -- and Microsoft doesn't care much. |
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2nd February 2022, 11:46 | #65 | Link | |
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youtube-dl -F 'https://www.youtube.com/watch?v=zcI6SFiK_yk' [youtube] zcI6SFiK_yk: Downloading webpage [info] Available formats for zcI6SFiK_yk: format code extension resolution note 249 webm audio only tiny 41k , webm_dash container, opus @ 41k (48000Hz), 759.27KiB 250 webm audio only tiny 54k , webm_dash container, opus @ 54k (48000Hz), 991.55KiB 251 webm audio only tiny 107k , webm_dash container, opus @107k (48000Hz), 1.92MiB 140 m4a audio only tiny 129k , m4a_dash container, mp4a.40.2@129k (44100Hz), 2.32MiB 160 mp4 256x144 144p 35k , mp4_dash container, avc1.4d400c@ 35k, 24fps, video only, 650.61KiB 394 mp4 256x144 144p 57k , mp4_dash container, av01.0.00M.08@ 57k, 24fps, video only, 1.02MiB 278 webm 256x144 144p 71k , webm_dash container, vp9@ 71k, 24fps, video only, 1.28MiB 133 mp4 426x240 240p 57k , mp4_dash container, avc1.4d4015@ 57k, 24fps, video only, 1.02MiB 395 mp4 426x240 240p 72k , mp4_dash container, av01.0.00M.08@ 72k, 24fps, video only, 1.30MiB 242 webm 426x240 240p 78k , webm_dash container, vp9@ 78k, 24fps, video only, 1.40MiB 134 mp4 640x360 360p 97k , mp4_dash container, avc1.4d401e@ 97k, 24fps, video only, 1.75MiB 396 mp4 640x360 360p 132k , mp4_dash container, av01.0.01M.08@ 132k, 24fps, video only, 2.37MiB 243 webm 640x360 360p 135k , webm_dash container, vp9@ 135k, 24fps, video only, 2.43MiB 135 mp4 854x480 480p 150k , mp4_dash container, avc1.4d401e@ 150k, 24fps, video only, 2.70MiB 244 webm 854x480 480p 209k , webm_dash container, vp9@ 209k, 24fps, video only, 3.76MiB 397 mp4 854x480 480p 233k , mp4_dash container, av01.0.04M.08@ 233k, 24fps, video only, 4.18MiB 136 mp4 1280x720 720p 275k , mp4_dash container, avc1.4d401f@ 275k, 24fps, video only, 4.94MiB 247 webm 1280x720 720p 319k , webm_dash container, vp9@ 319k, 24fps, video only, 5.73MiB 398 mp4 1280x720 720p 464k , mp4_dash container, av01.0.05M.08@ 464k, 24fps, video only, 8.32MiB 399 mp4 1920x1080 1080p 947k , mp4_dash container, av01.0.08M.08@ 947k, 24fps, video only, 16.96MiB 248 webm 1920x1080 1080p 1065k , webm_dash container, vp9@1065k, 24fps, video only, 19.08MiB 137 mp4 1920x1080 1080p 1227k , mp4_dash container, avc1.640028@1227k, 24fps, video only, 21.98MiB 18 mp4 640x360 360p 383k , avc1.42001E, 24fps, mp4a.40.2 (44100Hz), 6.87MiB 22 mp4 1280x720 720p 404k , avc1.64001F, 24fps, mp4a.40.2 (44100Hz) (best) |
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2nd February 2022, 19:43 | #67 | Link |
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Don't worry. No one here is going to fall for it before all HFR content
is properly encoded and an HFR option is provided (e.g. Football Highlights) Nothing in life bugs me more than an official source giving a video/live stream more than enough bitrate, but dropping half the frames for no good reason whatsoever. Yet for some reason, that seems to be the norm online, and doing it right is the exception.
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2nd February 2022, 20:30 | #68 | Link | |
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This thread is specifically for discussions of the (unreleased!) x266 VVC encoder. |
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4th February 2022, 06:59 | #69 | Link |
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I think kurkosdr replies generally summarise everything that is annoying with Alliance for Open Media and their supporters. ( to say the least )
AV1 is not patent free, it is royalty free. There is a big difference between the two. The FUD on content fees and myth of patent free is still here, 2022. Fascinating world of misinformation being spread. I would love to see a truly patent free codec, or if they could just take out the 10ish patent on EVC baseline profile. But AV1 is not a patent free codec. H264 is not dead. Not in anyway shape of form, doesn't matter how you slice it. Video Codec is not only used on the Web. And the web does not equal to all YouTube. Apple is not even the largest beneficial, or even 10% of HEVC or VVC patent fee structure. Because of these ideology over actual technical and market reality, we end up having browser vendor supporting AVIF and refuse to support JPEGXL. Which is also royalty free and open standard. And a technically better image codec on the web. Alliance for Open Media have its place and purpose. I just wish they work on AV2 asap and learn from all the experience they had with AV1. But at least AV1 hardware decoder is finally coming. Three years behind their original schedule. Finally this is a x266 thread. I wish we have new forum features where I could give a thumbs up like those QFT replies above. I am already looking at beyond VVC with ECM. ~50% bitrate reduction compared to VVC Reference Encoder.
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4th February 2022, 07:50 | #70 | Link |
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I hope we're gonna have the new forum section soon-ish.
Like end of 2022 with all the H.266 VVC related topics moved there? Trust me, you don't wanna have "likes" and "reactions" in a forum. Doom9 has been nearly identical for years, basically since 2001 Link and I sort of like the way it is with its "retro" look. Playing against the reference encoder is easy, try against VVEnc by Fraunhofer which is the closest thing we have to a real encoder. I might make more experiments with VVEnc (or indeed when x266 will come out), but I don't have time, I never have time to do the stuff I like... |
4th February 2022, 09:44 | #71 | Link |
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Wasn't the goal of the EVC Baseline profile to use no patented tools and techniques at all ? I think it was designed this way. Source please that it uses technology where active patents still apply ?
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4th February 2022, 12:55 | #72 | Link | ||
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4th February 2022, 19:46 | #73 | Link |
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EVC baseline is technically promising in offering royalty free that is quite a bit better than H.264 at much lower complexity/cost than AV1 (or even VP9). And the optional tool design should make higher profiles a lot more resilient against submarine patents and such. Haven't heard too much about practical implementations lately, although Covid obscures lots of things trade shows used to reveal.
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6th February 2022, 15:36 | #74 | Link | |
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- RTX 3050 - RTX 3050 Ti - RTX 3060 - RTX 3060 Ti - RTX 3070 - RTX 3070 Ti - RTX 3080 - RTX 3090 and it's 4:2:0 only and 8bit/10bit but no 12bit. On the bright side, H.265 is finally seeing some love for 4:4:4 as well, in fact 8bit, 10bit, 12bit 4:4:4 H.265 is hardware decoded. This is indeed good and I'd love to see 4:2:2 and 4:4:4 be supported at high bit depth for other codecs as well (like H.264). This might be slightly off topic, but one of the things I'm having hard time to decode is Motion JPEG2000 Intra Class 4:4:4 12bit XYZ BT2020 SDR in UHD and Motion JPEG2000 Intra Class RGB 12bit HDR PQ which movie studios seem to love. It's making my 20c/40th Xeon suffer and I can't still see it decoded in real time... I'm sure the studios are using an hardware playback port to decode this (like we do with Omneon for MPEG-2 and Versio for H.264) but there must be another way, surely. Also, I think that the reason why it's so hard to decode is that it's actually using the Wavelet Transform which is applied to the whole picture at once (so it can't be parallelized) instead of the DCT applied to blocks and macroblocks of different sizes like we have in MPEG codecs (but I might be wrong). Last edited by FranceBB; 6th February 2022 at 15:41. |
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9th February 2022, 14:43 | #75 | Link | |
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9th February 2022, 22:26 | #77 | Link | |
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10th February 2022, 11:24 | #80 | Link |
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rofl.
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